Thats why we cant see her again every day
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It can function outside the time that gave birth to it or the time it describes but it will never be able to move within time itself like a photograph and become part of it itself. A rough comparison between the family photo and the family video would help. The filmed birthday scene will always remain the narrative of a few minutes on a particular day of a particular year. Thats why we cant see her again every day. The photo of the father in his arms with his young daughter has lost its time which is why it has found its place on the coffee table. A rough comparison between the family photo and the family video would help.
The filmed birthday scene will always remain the narrative of a few minutes on a particular day of a particular year. Thats why we cant see her again every day. The photo of the father in his arms with his young daughter has lost its time which is why it has found its place on the coffee table. A rough comparison between the family photo photo background removing and the family video would help. The filmed birthday scene will always remain the narrative of a few minutes on a particular day of a particular year. The photo of the father in his arms with his young daughter has lost its time which is why it has found its place on the coffee table.
If we accept the poverty of photography and the resulting abstraction not as a disadvantage but as an asset then this poverty may help us approach a photographic identity. The ease and simplicity of the photographic process. The insignificance of the small rectangle that is its product. The small value with which one can evaluate the final result. The ability to perpetually reproduce faithful copies. Its presence in almost every human activity no matter how insignificant. Its production by almost every human being no matter how insignificant. All this makes her not valuable poor and therefore extremely powerful.
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